The title song was a single in 2004, and for 2008 the former leader of the Shondells is back with a full CD for those who remember the guy who gave us "Crystal Blue Persuasion" and "Hanky Panky." Two additional originals besides the title tune are included here, "Born On the First Christmas Day" and "It's Christmas Again," and they're in much the same vein. The latter, more of a ballad, features a Shondells reunion. Other than "Jingle Bell Rock," the rest, alas, doesn't rock much at all. The arrangements are pretty much stock for the various songs, which you've heard done this way a thousand times. A dramatic reading of Matthew 1:18 over a musical bed doesn't do much for the proceedings, either.
June 2009 Archives
The title song was a single in 2004, and for 2008 the former leader of the Shondells is back with a full CD for those who remember the guy who gave us "Crystal Blue Persuasion" and "Hanky Panky." Two additional originals besides the title tune are included here, "Born On the First Christmas Day" and "It's Christmas Again," and they're in much the same vein. The latter, more of a ballad, features a Shondells reunion. Other than "Jingle Bell Rock," the rest, alas, doesn't rock much at all. The arrangements are pretty much stock for the various songs, which you've heard done this way a thousand times. A dramatic reading of Matthew 1:18 over a musical bed doesn't do much for the proceedings, either.
This gang of rockers from London, Ontario, put this Christmas album out in 2006, a fairly irreverent bit of punk rock fun. After kicking off with a medley of "We Wish You a Merry Christmas" and "Jingle Bells," they swing into a parody of "Feliz Navidad" called "Police Nabbed My Dad." Originals include "You Ruined Christmas," an ode to the parental admonition slung at unruly kids, and the title song, in which a child tries to catch Santa in the act, and as usual, fails. And leave us not forget "Santa Bring Me Money," where this mercenary Christmas wish goes unfulfilled. An array of high-speed versions of carols fills out the rest of the disc.
You all remember Tim Burton's "The Nightmare Before Christmas" and its soundtrack album from a decade ago. Well, Disney, the king of post-release film marketing, has detected the film's cult audience and is pushing the movie once again. They recut it in 3D/IMAX, and last year a special edition of the soundtrack CD included cover versions of the songs by rock artists. This year, they've gone whole hog with a full CD of covers of the movie songs. Only Marilyn Manson's "This Is Halloween" appears to have made the jump from last year's special edition, so it's off to eBay with you completists out there. Highlights of this CD, along with Manson, include the Bowie-esque version of "Town Meeting Song" by Polyphonic Spree, Korn's "Kidnap the Sandy Claws," Amy Lee's version of "Sally's Song" and "Poor Jack" by the Plain White T's. A disappointment was that "Oogie Boogie's Song" was done as an instrumental by Rodrigo & Gabriela. Most of these songs might be tough to use on your Christmas discs, though, as musical theater songs tend to be a bit specialized.
This Christian pop-rock band had broken up a few years ago but reformed in the past year to make an EP and now this, their first full Christmas album for 2008. The band previously dabbled in the holiday with versions of "You're a Mean One, Mr. Grinch" on Happy Christmas 2, "Christmas Time is Here" for a Peanuts compilation, "Silent Night" for a compilation called City on a Hill and "It Came Upon a Midnight Clear" for Maybe This Christmas Too. In addition, singer Leigh Nash did a solo Christmas EP, Wishing For This, in 2006. As far as I can tell, this album was recorded fresh in 2008 with no repeats from the past, so that means they've done two versions of "Silent Night," the one here featuring an assist from Jars of Clay's Dan Haseltine. If you recall the band from its hits like "Kiss Me" and "There She Goes," there will be no surprises. The whole album has a contemporary alt-folk-pop sheen to it, mostly slow to midtempo, with two original songs, "Christmas For Two" and "The Last Christmas" sitting nicely alongside eight covers, six familiar ones like "O Come O Come," the Emanuel carol in a nicely martial beat; a folky "Carol of the Bells"; a rather heavy take on "Christmas Island"; and a straight cover of Joni Mitchell's "River." Two unusual covers are "Some Children See Him" and the Spanish carol "Riu Riu Chiu."
This is the band featuring actor Billy Bob Thornton, and this 2008 Christmas disc is their second album. I'd call this "Americana," which apparently nowadays means "country music of the kind they haven't played in Nashville for years." The band worked up three originals for this outing, and they're nicely cynical takes on the holiday, on the order of "Daddy Don't Get Drunk This Christmas." (That song's not on here, though it ought to be.) "My Dreams of Christmas" is sung from the POV of a kid living in a dysfunctional household who dreams of holiday gifts that never come. "Slower Than Christmas" tells how the holiday just grinds by because the singer has to put up with relatives who drive him "as crazy as a hundred shithouse rats." And "I Won't Be Home For Christmas" is because the singer's in jail. Add to those John Prine's "Christmas In Prison," a perfect rockabilly version of "We Three Kings," a hoedown take on Mel Torme's "The Christmas Song," and the only countrified version of "Happy Xmas (War Is Over)" I can think of at the moment. This might be too country for some folks, but it hangs together nicely and the originals deserve to be heard more widely.
The band's "2000 Miles" from 1980 is one of the rock world's classic original Christmas songs, and for 2008 Chrissie Hynde and the band decided to revisit it, along with three other classic carols, in what sounds like a live-in-the-studio performance. You'll probably prefer the studio originals of that song and "Have Yourself a Merry Little Christmas" from A Very Special Christmas, but the four tunes -- add "I Saw Mommy Kissing Santa Claus" and "Blue Christmas" to the mix -- are nicely done. Folks who like their music unadorned and spontaneous might just like this better. It's on iTunes.
It's been a decade or so since Jimmy Buffett did his Christmas album, so if you need an update on your sun-drenched holidays Roy is here to give it to you on this 2008 single. And yes, Roy's website is part of the Parrothead Web ring, just in case you need it spelled out for you. It's a nice little number with a touch of calypso to it that wouldn't be out of place on Buffett's record.
A nice jokey rocker with hip-hop touches and Hanukkah references, along with a Parental Advisory for lyrics, starting with an overly familiary response to mistletoe, if you catch my drift. Don't know much about the band, but this 2008 single is a strong and profane modern rocker the more adventurous among you will want on their mix discs.
Not much information is available about this 2008 collection of indie-pop-rock performers except that the album is raising money for Amnesty International. Haven't seen it anywhere except as a download from Amazon and iTunes. Sally Shapiro returns with "Anorak Christmas," only this time a piano-led version that's also missing the Eurodisco beat of the original. The overall vibe of this collection is downbeat and experimental, with the almost-inaudible "Shenandoah" by Le Loup and My Brightest Diamond's "Nature Boy" requiring a bit of work to connect with the holidays. Au Revoir Simone kicks off things with the Peanuts song "Christmas Time Is Here," Parenthetical Girls get all Facebook-y with "Festive Friends (Forever)," No Kids put a bit of electrobeat behind the folky "Another Winter In a Summer Town," and Radar Bros. do a kind of bent Everly Brothers take on "Baby Jesus." After most of those tunes, the finger-picked guitar behind Blitzen Trapper's "Christmas Is Coming Soon" is sprightly by comparison, and Man of Arms' "It's Christmas Time and Every Thing's Wrong" is a nice holiday protest song, with just a hint of horns adding a Salvation Army flavor to the proceedings. Papercuts leads an instrumental "Go Tell It On the Mountain" off with organ, but never quite takes it into the gospel realm a listener might expect. Kind of a mope-y approach to the holidays taken in total, but it's for a good cause and there are good songs on here.
"Peas" is the nickname of Peter McEvilley, a DJ and musician who works in film, TV and jingle music, and Leslie is an independent singer who has worked with Peas before and toured with Jennifer Lopez. They came together to perform this electro-pop-dance tribute to the holidays. No surprises in song selection other than the Latin hymn "Dona Nobis Pacem," the rest are classic carols plus "Auld Lang Syne." These are mostly rendered in mid-tempo dance beats, except for ballad treatments on "Joy to the World," "The First Noel" and "Silent Night." Leslie has a good set of pipes and she doesn't diva up the proceedings, and though there's not a lot of variety in approach here it's quite listenable. From 2008.
After several years of whispered promises, the band's long-awaited movie is here. Unfortunately, it comes to us without any new Christmas songs, unless you count Fred Armisen singing "Silent Night." The soundtrack CD consists entirely of instrumental background music from the film, which is kind of neat in a cheap sci-fi way, but it will never pass for holiday music. As for the film, you can tell it was made by a small crew of first-time moviemakers on a small budget, but since it was made as a kind of homage to cheesy old-school space movies, that's really not a handicap. The plot eventually revolves around people on a Mars station slowly losing their grip on Christmas Eve, including a guy who commits suicide in a Santa suit. The mood is attributed to a combination of a faulty oxygen supply and the notion that "humans weren't made to live in space." A mute alien lands at the station and takes over the Santa suit, and his presence appears to bring calm to the station. There are a lot of disjointed narrative points along the way, and the dialogue is weighed down by a surplus of delete-able expletives. Also, there's a bit of an obsession with vaginas, including people who have them for heads in a dream sequence. My guess is that folks who are excessively fond of 50s space and monster movies will catch a lot of homages -- I noticed the opening scene with the woman inside a plastic bubble bore a slight resemblance to "Barbarella" -- and Flaming Lips fans will find meaning in this that many others won't. The Lips do offer some additional Christmas music, but you have to go to their site and order the vinyl version, which throws in a single with "Silent Night," "It's Christmas Time Again" and "Lord, Can You Hear Me."
The Minneapolis band who made a mark on rock Christmas history with their 1997 album Christmas is back for 2008 with this 7-inch single. (They'll let you download it if you order the vinyl artifact.) The A-side is kind of doomy and desperate-sounding, begging Santa not to overlook the needy children. Flip it over and we get "The Coming of Jah," another holiday tune with a reggae beat based on the Biblical story of Christmas. I kind of like the B-side better, but then I used to flip singles over in my radio days, too.
Webb used to be part of a Christian rock group called Raze, and this is him being a blue-eyed soulster for the holidays on this radio-friendly possible future carol from 2008.
Can't quite get a handle on this band. They do electronic-pop music, they claim to have Japanese influences, and their website is bilingual English-Spanish. Given that their gigs list shows concerts mostly in Argentina, I'm going to guess that's where they're from. As to this free download, it throws the holiday into the mix of above influences to create this Christmas ballad for 2008. Check it out.
From 2008, this Christian band put together a downloadable EP of holiday tunes, featuring an instrumental of "Away in a Manger," a slow shuffle of "God Rest Ye Merry Gentlemen" and a strong modern take on "Run Rudolph Run." Good work, guys.
Deni's rocking 2008 ode to the holiday consists of packing the kids off to relatives on the holiday and retreating with her man for a more intimate holiday. "Let's pretend it's Valentine's Day," she sings, intent on hoarding the holiday cheer instead of spreading it around. Many will sympathize, others will simply rock out.
The Scandinavian singer-songwriter spares a thought for the dispossessed, the needy and the homeless on the holiday with this 2008 ballad that's a free download from her website. Compared to her previous "Christmas" song, this tune is not quite as dark as that one. She wrote the song and played all the instruments on this performance.
Not really about Christmas, but the winter season thrust of the song makes this 2008 tune by this rising indie rock band a nice change of pace for your mix tapes. I've been hearing this a lot on adult alternative radio, so I might not be the only one thinking this way. This is from their eponymous debut album, and there's a download of the tune at SubPop's site.
Having caught up to the Cherryade label's past holiday compilations this year, we can now bring you the 2008 edition. Once again, a group of mostly British alternative rock bands bring us 18 mostly original holiday tunes. Fever Fever opens the disc with "Hallelujah Carol," which starts out with a taste of AC/DC and renders its lyrics in almost a rap fashion. Idaho's Very Most offers "This Year Christmas Came Nov. 4," and though it's not overt, the band admits it's about the 2008 presidential election. "Xmas Song" by Little My is a happy little ditty about a sad, sad Christmas, and Gayla Peevey is finally trumped by The Lovely Eggs, who want a "Tyrannosaurus Rex For Christmas." Take that, hippopotamus! "Perfect Christmas Snow (Perfect Christmas Kiss)" is an epic-length ballad of love found and lost on the holiday by The Gresham Flyers, and the same territory is mined, more briefly and at a faster tempo, in "It Was Christmas That Killed Us" by Hearts!Attack. Penny Broadhurst considers a terminal patient's last Christmas in "The End," and Ste McCabe offers the brief punk thrash "Christmas Time For Sanctimonious Swine." The Seven Inches write their own take on "12 Days of Christmas," jumping off from the familiar carol to add their own observations. Detox Cute and the Beauty Junkies offer the synth-pop "Alarm Bells bw Silent Night," a lover's quarrel segueing into a version of the carol named in the title. Stark Palace offers "Saw What Your Momma Did" in reference to an incident under the mistletoe, a performance that sounds like an outtake from "Nightmare Before Christmas." And the Pocket Gods wrap up with a bit of sci-fi in "Alien Xmas Song." All told, another interesting collection from the Cherryade folks.
This band previously had "God Rest Ye Merry Gentlemen," a Rolling Stones-soundalike version of the carol, and for 2008 they've got this poppy confection, a sweet little single and apparently a holiday revision of an existing song. A previous song, "What About Christmas," escaped my notice until now, a grungier sounding holiday tune, but perfectly in tune with the band's garage ethic. All three tunes mentioned here are downloadable at iTunes, but you need to find their iMix. To do that, search "Jigsaw Seen" when you're in the store, look under "Top Rated iMixes" and click on "the jigsaw seen holiday favorites." UPDATE: Things are a little more elaborate over at Amazon. Click the album cover to download "Candy Cane," but the band also has "Gentlemen" as an EP featuring three versions of the song, plus two versions of another song, "Jesus of Hollywood." Then there's a separate EP featuring "What About Christmas" in acoustic and electric versions, plus live performances of "Sleigh Ride," "Jesus" and "First of May."
This Scottish band just put out their first album in 2008, but they included with it a Christmas EP. On iTunes, the new album includes the EP as "Bonus Tracks Edition," but the band is promoting it as a separate entity, though it's apparently being given out with the album. (Click on the cover to grab it from Amazon.) The songs are all originals except for a version of "Silent Night (Noapte de Vis)." The opening song, "Careful What You Wish For," sets a skeptical tone for the holiday. The title song feels like the breakout tune, an ethereal ballad of wonderment with a chorus lyric punned on a Phil Spector tune. "Please Come Back Home" is self-explanatory with a U2 sound, "Cruel Moon" is a song of isolation at the holiday, and that leaves "F**k You, It's Over," a holiday breakup song that mutes the holiday references in the repetition of the title. The song is well done, if a bit depressing. Can't think of a time when a new band went right to the Christmas goodies, so let's give them credit for that, too.
British band The Arctic Circle is a rotating collective of artists, and this 2008 EP (download, but a limited number of physical copies are available over the Web) features Josh Weller, Emily Barker, Ted Barnes, Dale Grundle, Paloma Faith and the Puffin Voices performing five original takes on the holiday. These folks achieve a kind of alt-pop-folk ambience not dissimilar to Bright Eyes/Conor Oberst or Sufjan Stevens. "It's Christmas and I Can't Find You a Present" starts out downbeat and gentle with a declaration of love, then the mood turns with "It's Christmas (And I Hate You)," in which Paloma Faith and Josh Weller argue musically in a kind of folk-jazz "Baby It's Cold Outside" gone badly. "This Ole World Grown Quiet" is a cello-led lament, and "Unreasonable Dream: Christmas Night" is sung against an orchestral pad and banjo, slowly at first, then it picks up in the middle to tell its dreamy story. Mustn't forget "I'll Save the Bathwater For You This Christmas Time," a great title for what is a love ballad veiled in a bit of dry humor, you should pardon the pun. While researching this review, I discovered there was a That Fuzzy Feeling album last year, but with all different songs and artists; will have to track that down later.
This pop ballad starts out with a Percy Faith Singers-style choral opening before the band strikes up. George's voice is recognizable as always as he evokes holiday memories on this, his first holiday tune since his Wham days. Well done but definitely adult contemporary. Update: The free download period has passed, haven't seen it anywhere else.
If Darlene never did anything but sing on Phil Spector's A Christmas Gift To You she'd still be Rock 'n Roll Hall of Fame material. Though she's popped up occasionally over the years doing everything from duetting with Ronnie Spector for A Very Special Christmas to acting in the "Lethal Weapon" movies, from singing the "Saturday Night Live" comedy short "Christmastime For the Jews" to performing a Christmas song with the E Street Band, she's been way overdue for a sequel to the Spector album. Well folks, this 2007 set is it. All props to producers Shawn Amos and Kevin Killen for showcasing her historic voice against a strong and eclectic selection of contemporary Christmas tunes. You could pick any record producer out of the phone book who would take one look at Darlene and drop a bunch of strictly R'nB covers on her along with gospelized versions of classic carols -- and face it folks, we'd probably be grateful for that. But Amos and Killen give us a more imaginative selection. Obvious soul covers like "Please Come Home for Christmas" and "What Christmas Means to Me" join with less obvious ones like the Staple Singers' "Who Took the Merry Out of Christmas?" and James Brown's "Santa Claus Go Straight to the Ghetto" to play against Christmas tunes from the rock world like Tom Petty's "Christmas All Over Again," the Band's "Christmas Must Be Tonight," Billy Squier's "Christmas is the Time to Say I Love You" and John and Yoko's "Happy Xmas (War Is Over)." Darlene, of course, has the talent to pull this off. She takes XTC's "Thanks For Christmas" to church, adds some soul to NRBQ's "Christmas Wish" and remakes the Pretenders' stately "2,000 Miles" with just a hint of jazz. The whole thing wraps up with an original ballad, "Night of Peace."
The R'nB Christmas sector has been pretty assembly-line to my ears in recent years, so it's way past time a true original in the field stepped up to the eggnog ladle. Bootsy Collins, formerly leader of Bootsy's Rubber Band, teamed up with boutique label Shout! Factory to bring us his vision of a funky Christmas for 2006, getting together with former members of the Rubber Band and P-Funk, plus Bobby Womack, his brother Catfish, Roger Troutman, Snoop Dogg (on "Happy Holidaze") and Charlie Daniels (really, fiddle on "Sleigh Ride"). It's like he never left, with his unique voice, "space bass" and cast of thousands putting the beat to a collection of popular carols and originals. The dozens of Merry Christmas shout-outs between and during songs do get a little old, but it's worth having just for Bootsy re-imagining his big smash "I'd Rather Be With You" as a Christmas song with Troutman's help. Other originals include "N-Yo-City," "Happy Holidaze" with Snoop's rapping and the title song, which is a bit of a muddle. An imaginative take on "Merry Christmas Baby" is a highlight, and of course no R'nB artist is allowed to make a Christmas CD unless one of the songs is "This Christmas," which here is a fine performance of a classic tune. The old-school carols also get unique names, like "Chestnutz" for "The Christmas Song," "Boot-Off" for "Rudolph," and "Jingle Belz" for, oh, you know. Definitely a season highlight.
The self-professed king of the slow jams gets on the Christmas tip for 2007 with this nine-song CD full of, wait for it, slow-jam Christmas songs. Only the evergreen "The Christmas Song" is a traditional carol, the rest are originals, three of which Sweat co-wrote. Not surprisingly, there's not a lot of variability in tempo or approach -- "Party Christmas" and "Once a Year" are just slightly more uptempo than the rest -- but Sweat does a pretty good job of selling this material. "Point of Christmas" is the "reason for the season" track on this CD, and "Under the Tree" is the makeout song. Near as I can tell, the breakout cut is "Be Your Santa Claus," at least if single-track popularity at iTunes is anything to go by.
The R'nB crooner of "Thong Song" let this slip out for Christmas 2006, a by-the-book modern holiday tune in the current style, complete with spoken intro and full of romantic allusions to the holiday. It's nice work; I wonder if he's testing the waters for a full CD. Apparently he let people download this free from his MySpace page, but it wasn't there at the time I posted this. I found it on iTunes, but at the moment it appears to have vanished from the marketplace.
When older artists from the classic soul era step into the Christmas genre, the results tend to be more easy listening than R'nB, and the Isleys, now featuring just Ronald and Ernie, fall right into that description, even with the production assistance of 80s whizzes Jimmy Jam and Terry Lewis on this 2007 disc. The originals on here, "I'm In Love" and "What Can I Buy You," are closest to R'nB, the former in a 70s ballad vein and the latter resembling a Jam/Lewis trademark ballad production. The rest is pop with a bit of jazz and soul, and they put together an "Isleys Christmas Medley" of classic carols that is strictly 1970s variety show in execution. If you can download the originals, you'll be ahead of the game.
I'm including this more for historical purposes, though some of us are big on authenticity as well. The Staples were always first and foremost a gospel group, but most of us recall them for their secular hits like "I'll Take You There." Similarly, their best-known Christmas tune among us pop-rock Christmas fans would be "Who Took the Merry Out of Christmas," a more secular tune that isn't on this 1962 collection. This is a straight gospel workout featuring songs mainly taken from the gospel repertoire like the title song, "Go Tell It on the Mountain," "Sweet Little Jesus Boy," "No Room at the Inn" and so on. A few more popular carols like "Joy to the World," "Silent Night, and "O Little Town of Bethlehem," songs that emphasize the religious aspect, are also here. Notable for making its CD debut in 2007, and also because at least some of our readers are interested in the roots of our obsession with popular Christmas music. UPDATE: Bob Bailey notes that this album was on CD before, in 1993, as A Gospel Christmas Card, but with several additional tracks by other gospel artists added.
There are no dates for the performances on this 1989 compilation, but I'm guessing they are all from the late 60s and early 70s. Little Johnny Taylor does "Please Come Home for Christmas," Rance Allen Group takes on "White Christmas," The Temprees do "The Christmas Song" and Albert King tries "Christmas Comes but Once a Year." There are some originals, too. Isaac Hayes (Chef!) does his Hot Buttered Soul routine on "The Mistletoe and Me" and "Winter Snow," Rufus Thomas comes up with an answer record to Eartha Kitt, "I'll Be Your Santa, Baby," and Albert King and Mack Rice each do versions of Rice's great "Santa Claus Wants Some Lovin'." And the Staple Singers' "Who Took the Merry out of Christmas" is here too; it also appears on the album Bummed Out Christmas. Almost as good as Soul Christmas. Update: Reissued for 2007 as Christmas in Soulsville with three additional songs, "That Makes Christmas Baby" by Rufus Thomas, "Merry Christmas Baby" by Otis Redding, and Booker T & the MGs' "Winter Wonderland."
Evans is popularly known as a hip hop diva, but that's just a function of the time she has come up; she could have been a blues, jazz or soul star if she had come up in different eras. This 2005 album is typical in execution for an R'nB singer, with 11 songs, mostly standard carols and pop holiday songs, with a few hip hop moves on most of them to make them sound contemporary. "Mistletoe and Holly" sticks out because it's the only one that takes the pop/show tune approach; the rest are soulful jams of various tempos. "Soulful Christmas" is a faster number that will get you out on the dance floor, and her "Santa Baby" is a worthy performance, giving Eartha Kitt a run for her money. She swings over to blues with the now-standard "Merry Christmas Baby," and hits a traditional note with "White Christmas," "Christmas Song," and "O Come All Ye Faithful." I'm beginning to think there's a law somewhere that states no R'nB artist can do a Christmas album without covering Donny Hathaway's "This Christmas," but Evans' version is just as good as anybody else's.
This is a pretty solid collection of modern R'nB from the early 80s ("Christmas in Hollis" by Run D.M.C., the only rap tune on the CD) up through the present day. Fans probably have a lot of these tunes, but if you're short on latter-day soul you might find this 2004 collection a sweet change of pace. Among the selections are "Happy Holidays to You" by New Edition, "Snowy Nights" by En Vogue, "Let It Snow" by Boyz II Men, "Comin' For X-Mas" by Usher, "Do You Hear What I Hear" by Whitney Houston, "Rudolph the Red-Nosed Reindeer" by Babyface, and we get gospel from Kirk Franklin, Bebe and Cece Winans, along with appearances by Dru Hill, Yolanda Adams, TLC and Xscape.
Party town New Orleans (pace Katrina) is always a good place to go for your holiday grooves, and this 2004 compilation carries on the tradition. Songwriter/producers Greg Barnhill and Will Robinson (not the "Lost In Space" kid) had the idea to write a whole CD's worth of fresh Christmas tunes and then recruit some hometown talent to perform them. So we get Beausoleil and their trademark zydeco on "Papa St. Nick," the legendary Allen Toussaint doing a Fats Domino groove on "The Day It Snows On Christmas," Art Neville of the famous Brothers on the title song, brother Aaron showing off his balladeer chops on "Christmas Prayer," Irma Thomas taking it slow on "Christmas Without the Creole," and the Subdudes singing about "Peace in the World." John Hiatt fans will recognize Sonny Landreth's guitar chops, if not his voice, on "Got To Get You Under My Tree," with the help of the Dixie Cups on background vocals. And just in case you thought there was anything dated about a New Orleans Christmas, Houseman funks things up on "Pimp My Sleigh," taking off on the car customizing trend. The final cut is the only tune not written by Barnhill and Robinson, Ingrid Lucia's version of "Zat You, Santa Claus?" Serious holiday party music here, folks.
The young R'nB singer swings into the holiday with a short 10-song set for 2003. She picks between standards and some new tunes like "Hey Santa," "Christmas Time Again," "Time of Year" and "Sharing Christmas." The approach is not unlike other singers of her generation, somewhere between pop and R'nB, although the overall effect is much closer to contemporary easy listening. Many of the arrangements are straight pop, with only "Sharing Christmas" veering toward the slow-jam style and "Silent Night getting the gospel treatment. Add points for her overall restraint -- very few diva moments on this CD.
